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Windows Windows 8, Windows 8. Welcome to the new world of MI6's most storied agent. I consider Daniel Craig to be the most effective and appealing of the six actors who have played , and that includes even Sean Connery.

Craig is also the best Bond in the franchise's history. Daniel Craig is a fair-haired, bare-knuckle antidote to Pierce Brosnan.

On the action-adventure level, it hits the bulls-eye. There's clearly life in the old dog yet. Casino Royale is a step in the right direction for the Bond franchise.

But it's a small, tentative step. It's not as bad as Die Another Day, and not up to the jolly mayhem of the best films in the series.

Casino Royale isn't perfect, but it's surprisingly entertaining, even exciting for long stretches, and Craig manages to find new dimensions to a character that had long ago become a tired caricature.

Everything old is new again, indeed. What, no jet packs? No world-conquering supervillains orbiting the planet? No preference for shaken martinis? If the goal was to give Bond vivid new life, Casino Royale must be called a success.

This Bond is not only licensed to kill but eager to get on with the job. You don't need a weatherman to tell you the 21st installment in the franchise brings an invigorating chill to the air.

Gone or reshaped are most of the conceits that have made Bond movies seem like an exercise in parody and nostalgia.

I hope Craig finds more moments like that in Bond. And I hope he gets to wear that tuxedo again and again and again.

Casino Royale has the answers to all my complaints about the year-old James Bond series, and some I hadn't even thought of.

Bond as a human being? Part of carrying that out involves changing the identity of nearly every spy to James Bond--if the real Bond is to work unimpeded, he can't always be worrying about being killed by the criminal mastermind.

Each director worked on a different segment in relative isolation from the rest. This went so far as having their own portions of the script written.

The problem was that despite Eon Productions the production company behind most of the Bond films not owning the rights to Casino Royale, they had used many of the "bits" in other Bond films.

So there wasn't much of the book left to adapt. In addition, it was felt that a serious alternative Bond film couldn't compete against the Albert R.

Those are all great actors, and great comedians in at least two cases. They all do a bit of their own schtick--in some cases, they demanded this.

Woody does his neurotic New York Jew character, Peter Sellers rides the gray area between bumbling buffoon and suave playboy, with a couple generic Indian and Chinese impersonations thrown in for good measure, Orson Welles does his best Paul Masson Wine-pitching "elder statesman" demeanor, and also throws in a few of his more famous magic tricks.

All of this stuff is good, but does it work as a unified film? And if that's not enough evidence for you, consider that the segments were further chopped up into set-pieces.

Each set piece ends up being largely independent--you could almost see this as a series of skits on a similar theme. These facts make Casino Royale not quite work.

It's certainly no match for a legitimate Bond film, despite the similarity of location-hopping, outrageous villains, spy gadgets and so on.

But, in isolation, the segments tend to be good to excellent. The stretch with Bond visiting the faux M widow is probably the funniest.

It also presages the Sir Robin section of Monty Python and the Holy Grail , but bests it in a way, if only because of its extension. The madcap ending of the film is a lot of fun for its embrace of absurdism as a supreme aesthetic disposition--and it may have even influenced some later films.

And the segments with the trippiest visuals, both in the climax, are a fantastic treat for any fan of surrealism. They're good enough to watch the film just to see them.

The production design is incredible throughout the film. Not just for the surrealism, but the lush Edwardian and Victorian interiors, complete with copies and works in similar styles to unique, influential artists such as Gustav Klimt and Otto Dix.

If we felt like being overly generous, we might be able to argue that the overarching mess of a plot was part of the point. This is a spoof of Bond, after all, and Bond novels and films tend to have sprawling plots--both geographically and narratively.

We do travel to many exotic locales, meet many exotic people, doing exotic things, and we receive many plot intricacies and twists in both the typical Bond story and in Casino Royale.

However, Bond films aren't quite convoluted or messy enough to deserve this kind of spoofing, so excusing the messiness of the whole to parodic intent seems an over-ambitious stretch.

Just don't expect anything like a tight story. Visit Prime Video to explore more titles. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet!

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